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๐ŸŽฒ๏ธ Nishi Yudai | Imagine





๊ธฐํ˜ธ์˜ ์ƒ์ƒ, ํ•จ์ˆ˜

์œ„ํƒœ๋กญ์ง€๋งŒ ๋‹จ๋‹จํ•œ ์„ , ๋‘ํ…๊ฒŒ ์˜ฌ๋ ค์ง„ ๋ฌผ๊ฐ ๊ทธ๋ฆฌ๊ณ  ๊ธˆ๋ฐฉ ์‚ด์•„๋‚  ๊ฒƒ ๊ฐ™์€ ๊ทธ ๊ธฐํ˜ธ๋“ค์€ ์ „์‹œ ๊ณต๊ฐ„์˜ ๊ฒฝ๊ณ„๋ฅผ ์ž์œ ๋กญ๊ฒŒ ์ด๋™ํ•˜๋ฉฐ ๊ด€๋žŒ๊ฐ์„ ๋งž์ดํ•œ๋‹ค. ํŽ˜์ธํŒ…, ๋“œ๋กœ์ž‰๊ณผ ๋ชฉ๊ณต์˜ˆ ์˜ค๋ธŒ์ œ; ์„ธ ๊ฐ่ง’์œผ๋กœ ์‚ผ๊ฐํ˜•์„ ์ด๋ฃจ์–ด ์šฐ๋ฆฌ๋ฅผ ๊ณต์ „ํ•œ๋‹ค. ๋Œ€์ƒ์˜ ๋ณธ์งˆ์„ ๋‹จ์ˆœํ™”ํ•˜์—ฌ ์š”์•ฝํ•˜๋ฉด์„œ๋„ ์ƒ์ƒ์˜ ํญ์„ ํ’๋ถ€ํ•˜๊ฒŒ ๋งŒ๋“ ๋‹ค๋Š” ์ ์—์„œ ๋‹ˆ์‹œ์˜ <Imagine>์€ ์ž‘ํ’ˆ๊ณผ ๊ด€๋žŒ๊ฐ์˜ ์ƒ์ƒ์ด ์ž์œ ๋กญ๊ฒŒ ๊ฐ์‘ํ•  ์ˆ˜ ์žˆ๋‹ค.


sin(ฮธ)

๋‹ˆ์‹œ์˜ ํŽ˜์ธํŒ…์€ ๊ฐ„๋‹จํ•œ ๋„ํ˜•๋“ค๋กœ ์ด๋ฃจ์–ด์ ธ ์žˆ๋‹ค. ๊ธฐ์šธ์–ด์ง„ ์„ ๊ณผ ๋ฌด์‹ฌํ•œ ๋“ฏ ์–น์€ ์ƒ‰์€ ๋ช…์•”๋„ ์ƒ๋žต๋˜์–ด ํ…Œ๋‘๋ฆฌ๊ฐ€ ๋”์šฑ ๋„๋“œ๋ผ์ง„๋‹ค. ๊ทธ๋Ÿฌ๊ธฐ์— ๋‹ˆ์‹œ์˜ ๊ธฐํ˜ธ๋“ค์€ ๋ˆˆ์•ž์— ๋ช…์ง•ํ•˜๊ฒŒ ๋‹ค๊ฐ€์˜จ๋‹ค. ์–ธ๋œป ๋ณด๊ธฐ์— ์žฅ๋‚œ์Šค๋Ÿฝ๊ณ  ์ฆ‰ํฅ์ ์ด๊ฒŒ ๊ทธ๋ ค์ง„ ๋„์ƒ๋“ค์„ ์ž์„ธํžˆ ๋“ค์—ฌ๋‹ค๋ณด๋ฉด ๋ฐ˜๋ณต๋œ ๊ธฐํ˜ธ๋“ค์ด ๋‹ˆ์‹œ์˜ ๊ณต์‹ ์œ„์—์„œ ๋‹ค์–‘ํ•˜๊ฒŒ ๋ณ€์ฃผ๋˜๊ณ  ์žˆ์Œ์„ ๋ณผ ์ˆ˜ ์žˆ๋‹ค. ์ด๋Ÿฌํ•œ ๋ณ€์ฃผ๋ฅผ ์šฐ๋ฆฌ๊ฐ€ ์ธ์‹ํ•  ์ˆ˜ ์žˆ๋Š” ์ด์œ ๋Š” ์„ธ๊ณ„์ ์œผ๋กœ ํ†ต์šฉ๋˜๋Š” ๋„์ƒ๊ธฐํ˜ธ1)๋ฅผ ์‚ฌ์šฉํ•˜๊ธฐ ๋•Œ๋ฌธ์ด๋‹ค. ์˜ˆ์ปจ๋Œ€ ๋‘ฅ๊ทผ ์› ์ค‘์•™๋ถ€ํ„ฐ ์‹œ์ž‘ํ•˜๋Š” ํ™”์‚ดํ‘œ๋Š” (์ˆซ์ž๋ฅผ ์ œ์™ธํ•˜๊ณ ๋„) โ€˜์‹œ๊ณ„โ€™๋กœ ์ธ์‹๋œ๋‹ค. ๋‹ˆ์‹œ์˜ sin(์‹œ๊ณ„) ๊ทธ๋ž˜ํ”„๋Š” ์ด๋Ÿฐ ํ•„์ˆ˜ ์š”์†Œ๋ฅผ ์ถ•์œผ๋กœ ํŒŒ๋™ํ•œ๋‹ค. ๊ทธ๋Š” ๋„์ƒ์„ ์ด๋ฃจ๋Š” ์š”์†Œ๋“ค์„ ์ถ”๊ฐ€ํ•จ์œผ๋กœ์จ ํ‘œํ˜„์„ ํ™•์žฅํ•˜๋Š” ๊ฒƒ์ด ์•„๋‹ˆ๋ผ ๊ธฐ๋ณธ์ ์ธ ์š”์†Œ์— ๋‹จ์ˆœํ•œ ๋ณ€ํ™”๋ฅผ ์ฃผ์–ด ํ‘œํ˜„์˜ ๋ฌด๊ถํ•จ์„ ๋ณด์—ฌ์ฃผ๋Š” ๋ฐฉ์‹์œผ๋กœ ํ™”๋ฉด์„ ์ฑ„์šด๋‹ค.


cos(ฮธ)

์ „์‹œ์žฅ ํ•œ์ชฝ์— ์ž๋ฌผ์‡ ๋ฅผ ์ฑ„์šด ๋ฌต์งํ•œ ์„ธ ๊ฐœ์˜ ๋“œ๋กœ์ž‰๋ถ์ด ๋†“์—ฌ์žˆ๋‹ค. ๋‹ˆ์‹œ์˜ ๋˜ ๋‹ค๋ฅธ ํ–‰์„ฑ์ด๋‹ค. ์ฝ”๋น„๋“œ๊ฐ€ ์ฐฝ๊ถํ–ˆ๋˜ ๋‹น์‹œ ์˜จ๊ฐ– ์ œํ•œ ์†์—์„œ ๊ทธ๊ฐ€ ์ž์œ ๋ฅผ ๋Š๋ผ๋ฉฐ ๋›ฐ์–ด๋†€๋˜ ๊ทธ ํ–‰์„ฑ๋“ค์„ ๊ด€๋žŒ๊ฐ์€ ์ง์ ‘ ์ž ๊ธˆ์žฅ์น˜๋ฅผ ํ’€๊ณ  ์ถœ์ž…ํ•ด ๋ณผ ์ˆ˜ ์žˆ๋‹ค. ํŽ˜์ธํŒ…๊ณผ ๋‹ฌ๋ฆฌ ๋” ์ฒœ์ง„ํ•œ ๊ฐ๊ฐ๊ณผ ์ž์œ ๋กœ์šด ๋ฐœ์ƒ์œผ๋กœ ๊ทธ๋ ค์ง„ ๋“œ๋กœ์ž‰๋“ค์€ ๋‹ˆ์‹œ์˜ ํŽ˜์ธํŒ…์˜ ๊ณต์‹์ด ์–ด๋–ป๊ฒŒ ์ƒ์„ฑ๋๋Š”์ง€ ์—ฟ๋ณผ ์ˆ˜ ์žˆ๋Š” ์˜ค๋‹ต๋…ธํŠธ์ด์ž ํ•ด์„ค์ง‘์ด๊ธฐ๋„ ํ•˜๋‹ค. ๊ทธ๋ฆฌ๊ณ  ์ง€์šฐ๋Š” ํ–‰์œ„๋ฅผ ๋ฐ˜๋ณตํ•˜๊ณ  ์ข…์ด๋ฅผ ์œ„์— ๋‹ค์‹œ ๊ทธ๋ฆผ์„ ๋ง๋ถ™์ด๋Š” ๋™์•ˆ ์ข…์ด๊ฐ€ ๋‘๊บผ์›Œ์ง€๋Š” ๋งŒํผ ๋‹ˆ์‹œ์˜ ๊ณต์‹๋„ ๋” ๋ช…ํ™•ํ•ด์ ธ ๊ฐ„๋‹ค. ๋„์ƒ์„ ์™„์ „ํ•˜๊ฒŒ ํ‘œํ˜„ํ•œ ๋“œ๋กœ์ž‰๋ถ€ํ„ฐ ์ ์ฐจ ์š”์†Œ๋ฅผ ํ•˜๋‚˜์”ฉ ์ œ๊ฑฐํ•ด ๋‚˜๊ฐ€๋ฉด์„œ ํ•˜๋‚˜์˜ ์„ ์ด ์„ธ ๊ฐœ์˜ ๋ฉด์„ ์ง€ํƒฑํ•˜๊ฒŒ ๋˜๋Š” ๊ณผ์ •์„ ํฅ๋ฏธ๋กญ๊ฒŒ ์ถ”์ ํ•ด ๋ณผ ์ˆ˜ ์žˆ๋‹ค.


tan(ฮธ)

๋‹จ๋‹จํ•œ ๋ชฉ์žฌ๋ฅผ ๊นŽ์•„ ํ˜•์ฒด๋ฅผ ๋นš์œผ๋ฉด ๊ทธ์˜ ๊ทธ๋ฆผ๋“ค์ด ๋น„๋กœ์†Œ 3์ฐจ์›์˜ ์กฐ๊ฐ ์ž‘ํ’ˆ์œผ๋กœ ์‚ด์•„ ์‹คํ˜„๋œ๋‹ค. ํ‰๋ฉด์—์„œ ์™„์„ฑ๋œ ์ž‘ํ’ˆ๋“ค๊ณผ๋Š” ๋‹ฌ๋ฆฌ ๋ชฉ๊ณต ์ž‘์—…์€ ์‚ฌ์ „ ๊ณ„ํšํ•˜์— ์ •๊ตํ•˜๊ฒŒ ๊นŽ์•„๋‚ด๋Š” ๊ณผ์ •์ด ํ•„์š”ํ•˜๋‹ค. ์œ ์ผํ•˜๊ฒŒ ํŒŒ๋™์„ ๋ ์ง€ ์•Š๋Š” tan ๊ทธ๋ž˜ํ”„์ฒ˜๋Ÿผ ๊ทธ์˜ ์˜ค๋ธŒ์ œ๋“ค์€ ํ™”๋ฉด์ด๋ผ๋Š” ๊ณ ์ •๋œ ํ‹€์— ๊ฐ‡ํžˆ์ง€ ์•Š๊ณ  ํ˜•์ฒด์™€ ํฌ๊ธฐ์™€ ๋ฐฉํ–ฅ์ด ๋ณ€ํ˜•๋˜๋ฉด์„œ ์˜ค๋ธŒ์ œ์˜ ๋ณธ์งˆ์„ ํƒˆ์ฃผํ•˜๋Š” ๊ฒƒ์ฒ˜๋Ÿผ ๋ณด์ธ๋‹ค. ์˜ค์ง 2์ฐจ์›์˜ ์„ธ๊ณ„์— ๋ฐ•์ œ๋œ ๊ธฐํ˜ธ๋“ค์„ ์ž…์ฒด๋กœ ๋ณด์—ฌ์คŒ์œผ๋กœ์จ ์ƒ‰๋‹ค๋ฅธ ๋ฌผ์„ฑ์œผ๋กœ ๋Š๊ปด์ง€๊ฒŒ ๋งŒ๋“œ๋Š” ๊ฒƒ์ด๋‹ค. ์ปค๋‹ค๋ž€ โ€˜?โ€™๋ฅผ 180๋„ ๋’ค์ง‘์€ ์ž‘ํ’ˆ์„ ๋งˆ์ฃผํ•˜๋ฉด ๋งˆ์น˜ ๋ชจ๋‹ˆํ„ฐ์˜ ๋ฐฑ์Šคํ…Œ์ด์ง€์— ์žˆ๋Š” ๊ธฐ๋ถ„์ด ๋“ค๊ธฐ๋„ ํ•˜๊ณ , ์ฃผ์‚ฌ์œ„์˜ ์ˆซ์ž๋“ค์ด ๊ธฐ๋‘ฅ์œผ๋กœ ํ™•์žฅ๋˜์–ด ๋ฒ„๋ฆฐ ์ž‘ํ’ˆ์€ ๋” ์ด์ƒ ๊ตด๋ฆด ์ˆ˜ ์—†๊ฒŒ ๋˜์—ˆ์ง€๋งŒ ์ฃผ์‚ฌ์œ„ ์ž์ฒด๋ฅผ ๋†“์น˜์ง€๋Š” ์•Š๋Š”๋‹ค.

๋‹ˆ์‹œ์˜ ์ž‘ํ’ˆ๋“ค์€ ๋ชจ๋‘ ์ œ๋ชฉ์ด ์—†๋‹ค. <Imagine>์—์„œ๋Š” ์‚ผ๊ฐ์„ ์ด๋ฃจ๋Š” ์ „์‹œ์žฅ์—์„œ ์ž‘ํ’ˆ๋“ค์ด ๋ณด๋‚ด๋Š” ๊ฐ๊ธฐ ๋‹ค๋ฅธ ํŒŒ๋™์— ์šฐ๋ฆฌ์˜ ํ•จ์ˆ˜์™€ ์ด๋ฃจ๋Š” ๊ต์ฐจ์ ์—์„œ ๊ฐ์ž ๋‹ค๋ฅธ ์ƒ์ƒ์ด ํƒ„์ƒํ•œ๋‹ค. โ€œ๋‚˜์˜ ์ž‘ํ’ˆ์„ ๋ง๋กœ์จ ๋ณด์ถฉํ•˜๋Š” ๊ฒƒ์€, ๋‚˜์—๊ฒŒ 'ํƒ€ํ˜‘'์ด๋ผ๊ณ  ์ƒ๊ฐํ•œ๋‹ค.โ€๋ผ๊ณ  ๋งํ•˜๋Š” ๋‹ˆ์‹œ์˜ ์ž‘ํ’ˆ์„ ๊ธ€๋กœ ํ’€์–ด๋‚ด๋Š” ๊ฒƒ ์ž์ฒด๊ฐ€ ์—ญ์„ค์ ์ด๋‹ค. ์ „์‹œ์˜ ์œ ์ผํ•œ ์–ธ์–ด์ธ <Imagine>์˜ ์—ฐ์†์„ ์—์„œ ๊ด€๋žŒ๊ฐ์€ ์ž๋ฌผ์‡ ๋ฅผ ํ’€๊ณ  ์ž์‹ ์˜ ๊ธฐ๋ฐœํ•˜๊ณ  ์žฌ์น˜ ์žˆ๋Š” ์ƒ์ƒ์„ ๋‹ˆ์‹œ์ฒ˜๋Ÿผ ํ—ˆ๋ฝํ•˜๋ฉด ๋œ๋‹ค.


1) ๋„์ƒ์€ ๋Œ€์ƒ๊ณผ์˜ ์œ ์‚ฌ์„ฑ์— ๊ธฐ์ดˆํ•˜๊ณ  ์žˆ๋Š” ๊ธฐํ˜ธ์ด๋‹ค. ๋„์ƒ์€ ํ˜„์กดํ•˜๋Š” ์ง€์‹œ ๋Œ€์ƒ์ด๋‚˜ ํ•ด์„์ฒด๊ฐ€ ์—†์–ด๋„ ๊ธฐํ˜ธ๋กœ ์„ฑ๋ฆฝํ•œ๋‹ค. (๊ฐ•๋ฏธ์ •, ํผ์Šค์˜ ๊ธฐํ˜ธํ•™๊ณผ ๋ฏธ์ˆ ์‚ฌ, 2011, 159์ชฝ)


Symbolic Imagery, Functions

Symbols depicted with delicate yet sturdy lines, thickly layered paints, and symbols that seem ready to burst to life, freely roam the exhibition space, welcoming visitors. Paintings, drawings, and woodworking objects form a triangle, encircling us. Nishi's <Imagine> allows for both simplification and enrichment of the essence of the subject, providing ample space for both artwork and viewer's imagination to interact freely.


sin(ฮธ)

Nishi's artwork consists of basic shapes. The slanted lines and thickly applied colors, without shading, enhance the prominence of the edges. As a result, Nishi's symbols stand out clearly. While his figures may appear whimsical and spontaneous at first glance, a closer look reveals a variety of symbol variations based on Nishi's formula. The reason we can perceive these variations is due to his use of universally recognized symbolic signs. For instance, an arrow originating from the center of a circular shape is commonly interpreted as a "clock" (even without numbers). Nishi's sin(clock) graph revolves around these fundamental elements. Instead of expanding expression through additional elements to create symbols, he fills the canvas by making subtle alterations to basic elements, showcasing the limitless potential of expression.


cos(ฮธ)

On one side of the exhibition space lie three substantial sketchbooks, each secured with locks. They represent Nishi's distinct universe. During the COVID restrictions, he found solace and freedom in these imaginative realms. Visitors can unlock and explore these worlds themselves. Unlike paintings, Nishi's drawings are imbued with a pure and uninhibited imagination, serving as both a roadmap and an insight into the evolution of his formula. As he repeats the process of erasure and layering on the paper, the thicker it gets, his artistic formula becomes more evident. By gradually stripping elements from drawings portraying complete figures, one can follow the intriguing journey of how a single line sustains three surfaces.


tan(ฮธ)

When Nishi carves into solid wood, his paintings leap off the canvas, morphing into captivating three-dimensional sculptures. Unlike traditional flat artworks, his woodworking demands meticulous planning and detailed carving. His art pieces, like the steadfast tan graph, seem to break free from their original form, changing in shape, size, and direction without being confined by a fixed frame. By transforming two-dimensional symbols into tangible, three-dimensional pieces, he offers a fresh and intriguing perspective on their essence. Encountering a piece with a large '?' flipped 180 degrees might evoke the feeling of being behind a monitor, while the dice with the extended number pillars maintain the essence of the dice, even though they are no longer rollable.

None of Nishi's works have titles. Within <Imagine>, in the triangular exhibition space, each piece sends out different waves of imagination, intersecting with our functions. It's contradictory to describe Nishi's creations in words when he himself says, "Using words to explain my work feels like a 'compromise' to me". Within the ongoing narrative of the exhibition's only word, <Imagine>, visitors are invited to unlock the padlock and let their imaginative and witty thoughts flow freely, just like Nishi's approach.


1) A symbol is based on its similarity to the object it represents. A symbol is established as such even without an existing reference or interpreter. (Kang Mi-jeong, Semiotics and Art History with Charles Sanders Peirce, 2011, p. 159)






















Artistโ€™s Statement


โ— ์ž‘ํ’ˆ์— ๋Œ€ํ•ด์„œ โ—

์ œ ์ž‘ํ’ˆ์—๋Š” ์ปจ์…‰์ด๋‚˜ ์ œ๋ชฉ์€ ์—†์Šต๋‹ˆ๋‹ค. ๊ทธ๊ฒƒ์€ ์–ด๋–ค ์˜๋ฏธ์—์„œ๋Š” ์ž‘ํ’ˆ์ด ์ง€๋‹Œ ํž˜์„ ๋ฏฟ๊ณ  ์žˆ๋‹ค๋Š” ๊ฒƒ์ž…๋‹ˆ๋‹ค.

์ œ๊ฐ€ ํฅ๋ฏธ๋ฅผ ๊ฐ€์ง€๊ณ  ์žˆ๊ฑฐ๋‚˜ ๋งˆ์Œ์— ๋“œ๋Š” ์ƒ๊ฐ, ๊ฐ€์น˜๊ด€์€ ๊ทธ๋ฆผ์— ๋‹ด์•„ ํ‘œํ˜„ํ•˜์˜€๊ธฐ ๋•Œ๋ฌธ์— ๋ง์„ ์‚ฌ์šฉํ•˜์—ฌ ๋ณด์ถฉํ•˜๋Š” ๊ฒƒ์€ ์ €์—๊ฒŒ 'ํƒ€ํ˜‘'์ด๋ผ๊ณ  ์ƒ๊ฐํ•ฉ๋‹ˆ๋‹ค.

์ด๋Ÿฌํ•œ ๊ทน๋‹จ์ ์ธ ์‚ฌ๊ณ ๋„ ์ €๋ฅผ ๊ตฌ์ถ•ํ•˜๋Š” ์š”์†Œ์ด๋ฉฐ ํ˜„์žฌ๊นŒ์ง€์˜ ์ž‘ํ’ˆ ์ œ์ž‘์— ํฐ ์˜ํ–ฅ์„ ์ฃผ๋Š” ์ค‘์š”ํ•œ ์ƒ๊ฐ ์ค‘ ํ•˜๋‚˜์ž…๋‹ˆ๋‹ค. ๋ฌผ๋ก  ์ €์˜ ๊ฐœ์ธ์ ์ธ ๋ฌธ์ œ๋กœ์„œ ์•ž์œผ๋กœ๋„ ์ง„ํ™”ํ•ด์•ผ ํ•  ๋ถ€๋ถ„์ด๊ณ , ๊ฒฐ๋ก ์ด ์•„๋‹™๋‹ˆ๋‹ค.
โ— ๋“œ๋กœ์ž‰๋ถ์— ๋Œ€ํ•ด์„œ โ—

2020๋…„ ์ฝ”๋กœ๋‚˜19๋กœ ์ธํ•ด ํŒฌ๋ฐ๋ฏน์ด ๋ฐœ์ƒํ•˜์—ฌ ์ถœ๊ธˆ๋ น์ด ์‹œํ–‰๋˜์—ˆ์Šต๋‹ˆ๋‹ค.

๊ทธ๋กœ ์ธํ•ด ํฐ ์ œํ•œ์ด ๊ฑธ๋ฆฐ ์ผ์ƒ ์†์—์„œ ์—๋„ˆ์ง€๋ฅผ ๋ฐœ์‚ฐํ•˜๋Š” ๋ฐฉ๋ฒ•์ด ์ด ๋“œ๋กœ์ž‰ ๋ถ์˜ ์ œ์ž‘์ด์—ˆ์Šต๋‹ˆ๋‹ค.

์ €์—๊ฒŒ ์ด ์ฑ…์€ ๋ฌดํ•œํ•œ ์ž์œ ๋ฅผ ๋Š๋‚„ ์ˆ˜ ์žˆ๋Š” ๋˜ โ€˜ํ•˜๋‚˜์˜ ์„ธ๊ณ„'๋ผ๊ณ  ์ƒ๊ฐํ•ฉ๋‹ˆ๋‹ค.


โ— ไฝœๅ“ใซใคใ„ใฆ โ—

็งใฎไฝœๅ“ใซใฏใ‚ณใƒณใ‚ปใƒ—ใƒˆใ‚„ใ‚ฟใ‚คใƒˆใƒซใฏใ‚ใ‚Šใพใ›ใ‚“ใ€‚ใใ‚Œใฏใ€ใ‚ใ‚‹ๆ„ๅ‘ณใงใฏไฝœๅ“ใฎๆŒใคๅŠ›ใ‚’ไฟกใ˜ใฆใ„ใ‚‹ใจ่จ€ใ†ใ“ใจใชใฎใงใ™ใ€‚

็งใŒ่ˆˆๅ‘ณใ‚’ๆŒใฃใฆใ„ใ‚‹ไบ‹ใ‚„ๆฐ—ใซๅ…ฅใฃใฆใ„ใ‚‹่€ƒใˆใ€ไพกๅ€ค่ฆณใฏ็ตตใซ่พผใ‚ใฆ่กจ็พใ—ใฆใ„ใ‚‹ใฎใงใ€่จ€่‘‰ใ‚’ไฝฟ็”จใ—ใฆ่ฃœใ†ใ“ใจใฏใ€็งใซใจใฃใฆใฏใ€Œๅฆฅๅ”ใ€ใ ใจๆ€ใฃใฆใ„ใพใ™ใ€‚

ใ“ใ†ใ„ใฃใŸๆฅต็ซฏใชๆ€่€ƒใ‚‚็งใ‚’ๆง‹็ฏ‰ใ™ใ‚‹่ฆ็ด ใงใ‚ใ‚Šใ€็พๅœจใพใงใฎไฝœๅ“ๅˆถไฝœใซๅคงใใชๅฝฑ้Ÿฟใ‚’ไธŽใˆใ‚‹ๅคงไบ‹ใช่€ƒใˆใฎไธ€ใคใชใฎใงใ™ใ€‚ใ‚‚ใกใ‚ใ‚“็ง่‡ช่บซใฎๅ€‹ไบบ็š„ใชๅ•้กŒใจใ—ใฆไปŠๅพŒใ‚‚้€ฒๅŒ–ใ™ใ‚‹ในใ้ƒจๅˆ†ใงใ‚ใฃใฆใ€็ต่ซ–ใงใฏใ‚ใ‚Šใพใ›ใ‚“ใ€‚
โ—ใƒ‰ใƒญใƒผใ‚คใƒณใ‚ฐใƒ–ใƒƒใ‚ฏใซใคใ„ใฆโ—

2020ๅนดใ€COVID-19ใซใ‚ˆใฃใฆใƒ‘ใƒณใƒ‡ใƒŸใƒƒใ‚ฏใŒ็™บ็”Ÿใ—ใ€ๅ›ฝใ‹ใ‚‰ๅค–ๅ‡บ็ฆๆญขไปคใŒๆ–ฝ่กŒใ•ใ‚Œใพใ—ใŸใ€‚

ใใ‚Œใซใ‚ˆใฃใฆๅคงใใชๅˆถ้™ใŒใ‹ใ‹ใฃใŸๆ—ฅๅธธใฎไธญใงใ€ใ‚จใƒใƒซใ‚ฎใƒผใ‚’็™บๆ•ฃใ™ใ‚‹ๆ–นๆณ•ใŒใ“ใฎใƒ‰ใƒญใƒผใ‚คใƒณใ‚ฐใƒ–ใƒƒใ‚ฏใฎๅˆถไฝœใงใ—ใŸใ€‚

็งใซใจใฃใฆใ“ใฎๆœฌใฏ็„ก้™ใฎ่‡ช็”ฑใ‚’ๆ„Ÿใ˜ใ‚‹ใ“ใจใŒใงใใ‚‹ใ€Œใ‚‚ใ†ไธ€ใคใฎไธ–็•Œใ€ใซๆ€ใˆใŸใฎใงใ™ใ€‚



โ— About My Artworks โ—

My artworks don't have concepts or titles. In a sense, this means I believe in the power that artworks inherently possess.

I embed my interests, favored thoughts, and values into my paintings, so using words to supplement them feels like a "compromise" to me.

Such extreme thinking is also a fundamental part of who I am and has been a significant influence on my artwork up to now. Of course, it's an aspect of myself that should continue to evolve as a personal challenge rather than a final conclusion.
โ— About the Drawing Book โ—

In 2020, pandemic occurred due to COVID-19, and a stay-at-home order was implemented by the government.

During this restricted life, creating this drawing book became my outlet for releasing energy.

For me, this book felt like "another world" where I could feel infinite freedom.





Q&A with Nishi Yudai

Q: ์ž‘๊ฐ€๋‹˜ ์ž‘ํ’ˆ์€ ํŽ˜์ธํŒ… ๋ฟ๋งŒ ์•„๋‹ˆ๋ผ ๋ชฉ๊ณต์˜ˆ ์ž‘ํ’ˆ๋“ค๋„ ๋งŽ์ด ๋ณด์ž…๋‹ˆ๋‹ค. ๋ชฉ๊ณต์˜ˆ๋ฅผ ํ•˜์‹œ๊ฒŒ ๋œ ๊ณ„๊ธฐ๊ฐ€ ์žˆ๋‚˜์š”?
A: ์ด๋ฏธ์ง€๋ฅผ ํ‘œํ˜„ํ•  ๋•Œ ํ‰๋ฉด์ด ์ ํ•ฉํ•œ์ง€ ์ž…์ฒด๋กœ ํ•ด์•ผ ํ•˜๋Š”์ง€๋ฅผ ์ƒ๊ฐํ•˜๊ณ  ๊ทธ ๋Œ€๋‹ต์œผ๋กœ ์ œ์ž‘๋ฐฉ๋ฒ•์„ ๋ฐ”๊พธ๊ณ  ์žˆ์Šต๋‹ˆ๋‹ค. ์ž‘๊ฐ€๋กœ์„œ์˜ ์Šคํƒ€์ผ์„ ๊ฐ•ํ•˜๊ฒŒ ์˜์‹ํ•˜๋˜ ์‹œ๊ธฐ์—๋Š” ํ‰๋ฉด ํ‘œํ˜„์„ ๊ณ ์ง‘ํ–ˆ์ง€๋งŒ, ์ง€๊ธˆ์€ ์ž์‹ ์ด ํ˜„์žฌ ํ‘œํ˜„ํ•˜๊ณ  ์‹ถ์€ ๊ฒƒ์„ ์ค‘์š”ํ•˜๊ฒŒ ์—ฌ๊ธฐ๊ณ  ์žˆ๊ธฐ ๋•Œ๋ฌธ์— ์ œ์ž‘ ๋ฐฉ๋ฒ•์ด๋‚˜ ๋งค์ฒด๋Š” ์ž์œ ๋กญ๊ฒŒ ํŒŒ์•…ํ•˜๊ณ  ์žˆ์Šต๋‹ˆ๋‹ค.


Q: ์ „์‹œ ์ž‘ํ’ˆ์ด ๋ชจ๋‘ ์ œ๋ชฉ์ด ์—†์Šต๋‹ˆ๋‹ค. ๊ทธ ์ด์œ ๊ฐ€ ๊ถ๊ธˆํ•ฉ๋‹ˆ๋‹ค.

A: ๊ธธ์— ๋–จ์–ด์ ธ ์žˆ๋Š” ๋Œ์ด๋‚˜, ๋ฌด์‹ฌํ•œ ๊ฒฝ์น˜์—๋„ ์ข‹์€ ๋‚˜์œ ์ ์ด ์žˆ๊ณ , ๊ทธ๋ž˜๋„ ์ด๋ฆ„์ด๋‚˜ ์ œ๋ชฉ์ด ์žˆ๋Š” ๋ฌผ๊ฑด๋„ ๊ทธ ์ค‘์—๋Š” ์žˆ์ง€๋งŒ, ๋‚˜์˜ ์ข‹๊ณ  ๋‚˜์จ์˜ ํŒ๋‹จ์— ์žˆ์–ด์„œ ์ค‘์š”ํ•˜์ง€๋Š” ์•Š์Šต๋‹ˆ๋‹ค. ์ž‘ํ’ˆ ์ œ์ž‘์— ์žˆ์–ด์„œ๋Š” ์˜คํžˆ๋ ค ๋ง์„ ์‚ฌ์šฉํ•˜์ง€ ์•Š์Œ์œผ๋กœ์จ ๋ชจ๋“  ์˜์‹์„ ์ž‘ํ’ˆ์— ๋‹ด์„ ์ˆ˜ ์žˆ์„ ๊ฒƒ ๊ฐ™์•„์„œ ์ง€๊ธˆ์€ ๊ตณ์ด ์ œ๋ชฉ์„ ๋ถ™์ด๊ฑฐ๋‚˜ ์„ค๋ช…์„ ์ตœ๋Œ€ํ•œ ํ•˜์ง€ ์•Š์œผ๋ ค๊ณ  ํ•ฉ๋‹ˆ๋‹ค. ์ œ ์ž์‹ ์ด ์ž‘ํ’ˆ์˜ ๋ณธ์งˆ์„ ์ดํ•ดํ•˜๊ณ  ๊ทธ ์ž‘ํ’ˆ์˜ ๋งค๋ ฅ์„ ํ•ด์น˜์ง€ ์•Š๋Š” ๋ง์„ ๋ฐœ๊ฒฌํ–ˆ์„ ๋•Œ๋Š” ์ œ๋ชฉ์„ ๋ถ™์ผ์ง€๋„ ๋ชจ๋ฆ…๋‹ˆ๋‹ค.


Q: ์ด๋ฒˆ ์ „์‹œ์— ์ฃผ์‚ฌ์œ„์™€ ์‹œ๊ณ„๊ฐ€ ๋งŽ์ด ๋“ฑ์žฅํ•˜๋Š”๋ฐ ๊ทธ ์ด์œ ๊ฐ€ ์žˆ๋‚˜์š”?

A: ๋ฉ”์‹œ์ง€ ๋“ฑ์˜ ์ด์œ ๋Š” ์—†์ง€๋งŒ, ์ œ ์ž์‹ ์ด ๊ทธ ๋ชจํ‹ฐ๋ธŒ๋ฅผ ๋ฐ”๋ผ๋ณด๊ณ  ์žˆ์œผ๋ฉด ๋‹ค๋ฅธ ํ˜•ํƒœ๋กœ ๋ณ€ํ™”ํ•˜๊ธฐ ์‰ฌ์šด ๋ฌผ๊ฑด๊ณผ ํ•˜๊ธฐ ์–ด๋ ค์šด ๋ฌผ๊ฑด์ด ์žˆ๊ณ  ์ฃผ์‚ฌ์œ„๋‚˜ ์‹œ๊ณ„๋Š” ํŠนํžˆ ์ƒ์ƒ๋ ฅ์„ ๋Š˜๋ ค์ฃผ๋Š” ๋ชจํ‹ฐ๋ธŒ์ด๊ธฐ ๋•Œ๋ฌธ์— ์ž์ฃผ ๋“ฑ์žฅํ•ฉ๋‹ˆ๋‹ค.

๊ทธ ๋ฐ–์˜ ์ด์œ ๋กœ์„œ๋Š”, ์ „์„ธ๊ณ„์˜ ๊ฑฐ์˜ ๋ชจ๋“  ์‚ฌ๋žŒ์ด ์•Œ๊ณ  ์žˆ๋Š” ๊ด‘๊ฒฝ์ด๋‚˜ ๋ฌผ๊ฑด์„ ์ฐธ๊ณ ๋กœ ์„ ํƒํ•˜๋Š” ๊ฒƒ์œผ๋กœ ์–ด๋– ํ•œ ๊ตญ์ ์˜ ์‚ฌ๋žŒ์ด๋ผ๋„ ๋˜‘๊ฐ™์ด ์ „ํ•ด์ง€๋Š” ๊ฒƒ์„ ์˜์‹ํ•˜๊ณ  ์žˆ์Šต๋‹ˆ๋‹ค.


Q: ์ด๋ฒˆ์— ํ•œ๊ตญ์—์„œ ์ฒ˜์Œ ์ „์‹œ๋ฅผ ํ•˜๊ฒŒ ๋˜์—ˆ๋Š”๋ฐ ์†Œ๊ฐ์ด ๊ถ๊ธˆํ•ฉ๋‹ˆ๋‹ค.

A: ์ „์‹œํšŒ๊ฐ€ ์•„์ง ๋๋‚˜์ง€ ์•Š์•˜๊ธฐ ๋•Œ๋ฌธ์— ์ด๋ฒˆ ๊ฒฝํ—˜์„ ์ง€๊ธˆ ๋งํ•˜๊ธฐ๋Š” ์–ด๋ ต์ง€๋งŒ, ์ง€๊ธˆ๊นŒ์ง€ ํ•œ๊ตญ์— ์—ฌํ–‰ํ•˜๋ฉฐ ๋ณด๋‚ธ ๋‚ ๋“ค๊ณผ ๊ฐค๋Ÿฌ๋ฆฌ์™€์˜ ๊ต๋ฅ˜๋Š” ์ €์—๊ฒŒ ์žˆ์–ด์„œ ํ›Œ๋ฅญํ•˜๊ณ  ํฐ ๊ฒฝํ—˜์ด ๋˜์—ˆ์Šต๋‹ˆ๋‹ค. ๊ฐœ์ธ์ ์œผ๋กœ๋„ ๋งŽ์€ ํฅ๋ฏธ์™€ ์œ ๋Œ€๊ฐ์„ ๋Š๋ผ๊ณ  ์žˆ๋Š” ๋‚˜๋ผ์ด๊ธฐ ๋•Œ๋ฌธ์— ์ €์—๊ฒŒ ํŠน๋ณ„ํ•œ ์ „์‹œํšŒ๊ฐ€ ๋  ๊ฒƒ์€ ํ™•์‹คํ•˜๋‹ค๊ณ  ์ƒ๊ฐํ•ฉ๋‹ˆ๋‹ค.


Q: <Imagine> ์ „์‹œ์—์„œ ๊ด€๋žŒ๊ฐ๋“ค์—๊ฒŒ ์ „ํ•ด์ฃผ๊ณ  ์‹ถ์€ ๋ง์”€์ด ์žˆ์„๊นŒ์š”?

A: ์•ž์—์„œ ๋งํ•œ ๊ฒƒ์ฒ˜๋Ÿผ ๋ง๋กœ์จ ์ „ํ•˜๊ณ  ์‹ถ์€ ๊ฒƒ์€ ์—†์ง€๋งŒ, ์ฆ๊ฒจ ์ฃผ์…จ์œผ๋ฉด ์ข‹๊ฒ ์Šต๋‹ˆ๋‹ค.



Q: ่ฅฟๆง˜ใฏใƒšใ‚คใƒณใƒ†ใ‚ฃใƒณใ‚ฐใ ใ‘ใงใชใใ€ๆœจๅทฅ่Šธไฝœๅ“ใ‚‚ใŸใใ•ใ‚“่ฆ‹ใ‚‰ใ‚Œใพใ™ใ€‚ ๆœจๅทฅ่Šธใ‚’ใ•ใ‚Œใ‚‹ใ‚ˆใ†ใซใชใฃใŸใใฃใ‹ใ‘ใฏใ‚ใ‚Šใพใ™ใ‹๏ผŸ

A: ใ‚คใƒกใƒผใ‚ธใ‚’่กจ็พใ™ใ‚‹ๆ™‚ใซใ€ๅนณ้ขใŒ้ฉใ—ใฆใ„ใ‚‹ใฎใ‹็ซ‹ไฝ“ใซใ™ใ‚‹ในใใ‹ใ‚’่€ƒใˆใใฎ็ญ”ใˆใซใ‚ˆใฆๅˆถไฝœๆ–นๆณ•ใ‚’ๅค‰ใˆใฆใ„ใพใ™ใ€‚

ไฝœๅฎถใจใ—ใฆใฎใ‚นใ‚ฟใ‚คใƒซใ‚’ๅผทใๆ„่ญ˜ใ—ใฆใ„ใŸๆ™‚ๆœŸใฏๅนณ้ข่กจ็พใซใ“ใ ใ‚ใฃใฆใ„ใพใ—ใŸใŒใ€ไปŠใฏ่‡ชๅˆ†ใŒ็พๅœจ่กจ็พใ—ใŸใ„ใ“ใจใ‚’ๅคงไบ‹ใซใ—ใฆใ„ใ‚‹ใฎใงใ€ๅˆถไฝœๆ–นๆณ•ใ‚„ๅช’ไฝ“ใฏ่‡ช็”ฑใซๆ‰ใˆใฆใ„ใพใ™ใ€‚


Q: ๅฑ•็คบไฝœๅ“ใซใฏใ™ในใฆใ‚ฟใ‚คใƒˆใƒซใŒใ‚ใ‚Šใพใ›ใ‚“ใ€‚ใใฎ็†็”ฑใŒ็Ÿฅใ‚ŠใŸใ„ใงใ™ใ€‚

A: ้“ใซ่ฝใกใฆใ„ใ‚‹็Ÿณใ‚„ใ€ไฝ•ๆฐ—ใชใ„ๆ™ฏ่‰ฒใซใ‚‚่‰ฏใ„ๆ‚ชใ„ใŒใ‚ใฃใฆใ€ใใ‚Œใงใ‚‚ๅๅ‰ใ‚„ใ‚ฟใ‚คใƒˆใƒซใŒใ‚ใ‚‹็‰ฉใ‚‚ไธญใซใฏใ‚ใ‚Šใพใ™ใŒใ€ๅƒ•ใฎ่‰ฏใ—ๆ‚ชใ—ใฎๅˆคๆ–ญใซใŠใ„ใฆ้‡่ฆใงใฏใชใ„ใฎใงใ™ใ€‚

ไฝœๅ“ๅˆถไฝœใซใŠใ„ใฆใฏใ‚€ใ—ใ‚ใ€่จ€่‘‰ใ‚’ไฝฟใ‚ใชใ„ใ“ใจใงๅ…จใฆใฎๆ„่ญ˜ใ‚’ไฝœๅ“ใซ่พผใ‚ใ‚‹ใ“ใจใŒใงใใ‚‹ใ‚ˆใ†ใชๆฐ—ใŒใ—ใฆใ„ใ‚‹ใฎใงใ€ไปŠใฏใ‚ใˆใฆใ‚ฟใ‚คใƒˆใƒซใ‚’ใคใ‘ใŸใ‚Š่ชฌๆ˜Žใ‚’ใงใใ‚‹้™ใ‚Šใ—ใชใ„ๆง˜ใซใ—ใฆใ„ใพใ™ใ€‚

ๅƒ•่‡ช่บซใŒไฝœๅ“ใฎๆœฌ่ณชใ‚’็†่งฃใ—ใ€ใใฎไฝœๅ“ใฎ้ญ…ๅŠ›ใ‚’ๆใชใ‚ใชใ„่จ€่‘‰ใ‚’่ฆ‹ๅ‡บใ›ใŸๆ™‚ใซใฏใ‚ฟใ‚คใƒˆใƒซใ‚’ใคใ‘ใ‚‹ใฎใ‹ใ‚‚ใ—ใ‚Œใพใ›ใ‚“ใ€‚


Q: ไปŠๅ›žใฎๅฑ•็คบใซใ‚ตใ‚คใ‚ณใƒญใจๆ™‚่จˆใŒใŸใใ•ใ‚“็™ปๅ ดใ—ใพใ™ใŒใ€ใใฎ็†็”ฑใŒใ‚ใ‚Šใพใ™ใ‹๏ผŸ

A: ใƒกใƒƒใ‚ปใƒผใ‚ธใชใฉใฎ็†็”ฑใฏใชใ„ใฎใงใ™ใŒใ€ๅƒ•่‡ช่บซใŒใใฎใƒขใƒใƒผใƒ•ใ‚’็œบใ‚ใฆใ„ใ‚‹ใจ้•ใ†ๅฝขใซๅค‰ๅŒ–ใ—ใ‚„ใ™ใ„็‰ฉใจใ—ใซใใ„็‰ฉใŒใ‚ใฃใฆใ‚ตใ‚คใ‚ณใƒญใ‚„ๆ™‚่จˆใฏ็‰นใซๆƒณๅƒๅŠ›ใ‚’ๅข—ใ‚„ใ—ใฆใใ‚Œใ‚‹ใƒขใƒใƒผใƒ•ใชใฎใงใ‚ˆใ็™ปๅ ดใ—ใพใ™ใ€‚

ใใฎใปใ‹ใฎ็†็”ฑใจใ—ใฆใฏใ€ไธ–็•Œไธญใฎใปใผๅ…จใฆใฎไบบใŒ็Ÿฅใฃใฆใ„ใ‚‹ๅ…‰ๆ™ฏใ‚„็‰ฉใ‚’ๅ‚่€ƒใซ้ธใถใ“ใจใงใฉใฎใ‚ˆใ†ใชๅ›ฝ็ฑใฎไบบใงใ‚‚ๅŒๆง˜ใซไผใ‚ใ‚‹ใ“ใจใ‚’ๆ„่ญ˜ใ—ใฆใ„ใพใ™ใ€‚


Q: ไปŠๅ›žใ€้Ÿ“ๅ›ฝใงๅˆใ‚ใฆๅฑ•็คบใ•ใ‚Œใ‚‹ใ“ใจใซใชใ‚Šใพใ—ใŸใŒใ€ๆ„ŸๆƒณใŒๆฐ—ใซใชใ‚Šใพใ™ใ€‚

A: ๅฑ•็คบไผšใฏใพใ ็ต‚ใ‚ใฃใฆใ„ใชใ„ใฎใงใ€ไปŠๅ›žใฎ็ตŒ้จ“ใ‚’ไปŠ่ชžใ‚‹ใ“ใจใฏ้›ฃใ—ใ„ใฎใงใ™ใŒใ€ใ“ใ‚Œใพใงใฎ้Ÿ“ๅ›ฝใธๆธก่ˆชใ—ใฆ้Žใ”ใ—ใŸๆ—ฅใ€…ใ‚„ใ‚ฎใƒฃใƒฉใƒชใƒผใจใฎใ‚„ใ‚Šๅ–ใ‚Šใฏๅƒ•ใซใจใฃใฆ็ด ๆ™ดใ‚‰ใ—ใๅคงใใช็ตŒ้จ“ใซใชใ‚Šใพใ—ใŸใ€‚

ๅ€‹ไบบ็š„ใซใ‚‚ๆทฑใ่ˆˆๅ‘ณใจใคใชใŒใ‚Šใ‚’ๆ„Ÿใ˜ใฆใ„ใ‚‹ๅ›ฝใงใ‚‚ใ‚ใ‚‹ใฎใงใ€ๅƒ•ใซใจใฃใฆ็‰นๅˆฅใชๅฑ•็คบไผšใซใชใ‚‹ใ“ใจใฏ็ขบๅฎŸใ ใจๆ€ใฃใฆใ„ใพใ™ใ€‚


Q: ใ€ŒImagineใ€ๅฑ•็คบไผšใง่ฆณ่ฆงๅฎขใซไผใˆใŸใ„่จ€่‘‰ใฏใ‚ใ‚Šใพใ™ใ‹๏ผŸ

A: ๅ‰่ฟฐใ—ใŸๆง˜ใซใ€่จ€่‘‰ใซใ—ใฆไผใˆใŸใ„ไบ‹ใฏใ‚ใ‚Šใพใ›ใ‚“ใŒใ€ๆฅฝใ—ใ‚“ใงใ‚‚ใ‚‰ใˆใŸใ‚‰ๅฌ‰ใ—ใ„ใงใ™ใ€‚



Q: We've noticed that you not only create paintings but also woodworking pieces. What inspired you to start woodworking?

A: When I decide how to express an image, I think about whether a flat surface or a three-dimensional form would be best. In the past, I was focused on flat expressions because that was my artistic style. But now, I prioritize expressing what I want at the moment, so I use various methods and materials freely.


Q: None of your exhibition pieces have titles. Can you explain why?

A: Even simple things like stones on the road or ordinary scenery have their own good and bad points. While some objects might have names or titles, those aren't important when I judge their value. I believe that by not using words in my art, I can put all my thoughts and feelings into the work. So, I try not to add titles or explanations. Maybe someday, when I fully understand the essence of a piece without diminishing its charm, I might give it a title.


Q: We've noticed dice and clocks appearing frequently in this exhibition. Is there a reason for this?

A: There's no deep message behind it. When I look at these items as motifs, some are easy to transform into different shapes, while others are more challenging. Dice and clocks are particularly inspiring motifs that spark imagination, so they often appear in my work. Also, I pick objects and scenes that are universally recognized, thinking they will resonate with people from any culture.


Q: This is your first exhibition in Korea. What are your thoughts on it so far?

A: Since the exhibition is still ongoing, it's a bit early to talk about my experience. But the time I've spent traveling in Korea and interacting with the gallery has been fantastic and meaningful. I have a lot of personal interest and connection with Korea, so I believe this exhibition is special for me.


Q: Do you have a message for visitors of the <Imagine> exhibition?

A: As I mentioned before, I don't have a specific message I want to convey in words, but I hope you enjoy the exhibition.




Art Works


untitled
45 ร— 45 ร— 5 cm (hร—wร—d)
Acrylic on wood
2024
untitled
22.3 ร— 27.5 ร— 2 cm (hร—wร—d)
Acrylic on canvas
2024
untitled
14.3 ร— 54 ร— 2 cm (hร—wร—d)
Acrylic on canvas
2024





untitled
30 ร— 30 ร— 2 cm (hร—wร—d)
Acrylic on canvas
2024
untitled
37.8 ร— 45.5 ร— 2 cm (hร—wร—d)
Acrylic on canvas
2024
untitled
37.8 ร— 45.5 ร— 2 cm (hร—wร—d)
Acrylic on canvas
2024




untitled
33 ร— 35.5 ร— 2 cm (hร—wร—d)
Acrylic on canvas
2024
untitled
24.3 ร— 59.3 ร— 2 cm (hร—wร—d)
Acrylic on canvas
2024
untitled
25.2 ร— 18 ร— 2 cm (hร—wร—d)
Acrylic on canvas
2024




untitled
20 ร— 24 ร— 2 cm (hร—wร—d)
Acrylic on canvas
2024
untitled
19 ร— 33.3 ร— 2 cm (hร—wร—d)
Acrylic on canvas
2024
untitled19.2 ร— 19.2 ร— 2 cm (hร—wร—d)
Acrylic on canvas
2024




untitled
16.2 ร— 25.3 ร— 2 cm (hร—wร—d)
Acrylic on canvas
2024
untitled
11.3 ร— 40.4 ร— 2 cm (hร—wร—d)
Acrylic on canvas
2024
untitled
14.2 ร— 18.1 ร— 2 cm (hร—wร—d)
Acrylic on canvas
2024



untitled
14.3 ร— 18 ร— 2 cm (hร—wร—d)
Acrylic on canvas
2024
untitled
10.5 ร— 14.2 ร— 2 cm (hร—wร—d)
Acrylic on canvas
2024
untitled
8.5 ร— 14 ร— 2 cm (hร—wร—d)
Acrylic on canvas
2024




untitled
10.2 ร— 24.2 ร— 2 cm (hร—wร—d)
Acrylic on canvas
2024
untitled
17.2 ร— 14.5 ร— 2 cm (hร—wร—d)
Acrylic on canvas
2024
untitled
9.5 ร— 24 ร— 2 cm (hร—wร—d)
Acrylic on canvas
2024



untitled
12.3 ร— 15.2 ร— 2 cm (hร—wร—d)
Acrylic on canvas
2024
untitled
18 ร— 14.5 ร— 2 cm (hร—wร—d)
Acrylic on canvas
2024
untitled
9.4 ร— 19 ร— 2 cm (hร—wร—d)
Acrylic on canvas
2024



untitled
10 ร— 10 ร— 2 cm (hร—wร—d)
Acrylic on canvas
2024
untitled
13.3 ร— 13.3 ร— 2 cm (hร—wร—d)
Acrylic on canvas
2024
untitled
14 ร— 8.3 ร— 2 cm (hร—wร—d)
Acrylic on canvas
2024




untitled
10.2 ร— 6.5 ร— 2 cm (hร—wร—d)
Acrylic on canvas
2024
untitled
7.2 ร— 12.1 ร— 2 cm (hร—wร—d)
Acrylic on canvas
2024
untitled
7.3 ร— 10.3 ร— 2 cm (hร—wร—d)
Acrylic on canvas
2024




untitled
40 ร— 6.7 ร— 2 cm (hร—wร—d)
Acrylic on canvas
2024
untitled
32.5 ร— 12.5 ร— 2 cm (hร—wร—d)
Acrylic on canvas
2024
untitled
70 ร— 14.5 ร— 2 cm (hร—wร—d)
Acrylic on canvas
2024




untitled
5.3 ร— 5.3 ร— 2 cm (hร—wร—d)
Acrylic on canvas
2024
untitled
12 ร— 6.4 ร— 2 cm (hร—wร—d)
Acrylic on canvas
2023
untitled
6 ร— 4 ร— 1.2 cm (hร—wร—d)
Acrylic on canvas
2024



untitled
42 ร— 42 ร— 4 cm (hร—wร—d)
Acrylic on wood
2024






3 Drawing Books









untitled
12 ร— 92 ร— 42 cm (hร—wร—d)
Mixed Media
2024




untitled
14 ร— 14 ร— 14 cm (hร—wร—d)
Acrylic on wood
2023-2024
untitled
25 ร— 13 ร— 6 cm (hร—wร—d)
Acrylic on wood
2023-2024
untitled
95.5 ร— 27 ร— 27 cm (hร—wร—d)
Acrylic on wood
2023-2024





untitled
12 ร— 9 ร— 2 cm (hร—wร—d)
Metal & Acrylic on wood
2023-2024
untitled
6 ร— 5 ร— 5 cm (hร—wร—d)
Acrylic on concrete
2023-2024
untitled
14.5 ร— 6.5 ร— 3.5 cm (hร—wร—d)
wood
2023-2024





untitled
5.5 ร— 7.5 ร— 2 cm (hร—wร—d)
Wire and acrylic on clay
2023-2024
untitled
7 ร— 16 ร— 4 cm (hร—wร—d)
Acrylic on wood
2023-2024
untitled
31 ร— 17 ร— 10 cm (hร—wร—d)
Acrylic on wood
2023-2024






untitled
60 ร— 14 ร— 6 cm (hร—wร—d)
Acrylic on wood
2023-2024
untitled
11.5 ร— 11.5 ร— 15 cm (hร—wร—d)
Paper and acrylic on wood
2023-2024
untitled
16 ร— 8.5 ร— 8.5 cm (hร—wร—d)
Acrylic on wood
2023-2024



untitled
13 ร— 6 ร— 6 cm (hร—wร—d)
Acrylic on wood
2023-2024
untitled
8.5 ร— 5.5 ร— 5.5 cm (hร—wร—d)
Acrylic on wood
2023-2024
untitled
12.5 ร— 7 ร— 3.5 cm (hร—wร—d)
Wood
2023-2024





Artist

๋‹ˆ์‹œ ์œ ๋‹ค์ด Nishi Yudai (b.1991)

1991๋…„ ์ผ๋ณธ ์•„์ด์น˜ํ˜„์—์„œ ์ถœ์ƒํ•œ ๋‹ˆ์‹œ ์œ ๋‹ค์ด๋Š” ๊ตํ†  ์„ธ์ด์นด ์ž…์‚ฌ ํ›„ ๋Œ€ํ•™์—์„œ ๋””์ž์ธ, ์ผ๋Ÿฌ์ŠคํŠธ๋ ˆ์ด์…˜, ํ‘œํ˜„์„ ์ „๊ณตํ–ˆ์œผ๋ฉฐ, ํ•™๊ต์— ๋‹ค๋‹ˆ๋ฉด์„œ ์˜ˆ์ˆ ๊ฐ€๋กœ์„œ์˜ ๊ฒฝ๋ ฅ์„ ์‹œ์ž‘ํ–ˆ์Šต๋‹ˆ๋‹ค. ๊ตํ† ์„ธ์ด์นด๋Œ€ํ•™ ์กธ์—… ํ›„, ๋„์ฟ„์—์„œ ๋‹ค์–‘ํ•œ ํ™œ๋™์„ ํŽผ์ณค์œผ๋ฉฐ ๋‹ค์–‘ํ•œ ์˜๋ฅ˜ ๋ธŒ๋žœ๋“œ ํšŒ์‚ฌ์™ธ ์ฝœ๋ผ๋ณด๋ฅผ ์ง„ํ–‰ํ•˜๋ฉฐ ์ ์ฐจ ์„ธ๊ณ„์ ์œผ๋กœ ์•Œ๋ ค์ง€๊ฒŒ ๋˜์—ˆ์Šต๋‹ˆ๋‹ค.

Born in 1991 in Aichi, Japan, Yudai Nishi majored in design, illustration, and expression at university at Kyoto Seika. He began his career as an artist while attending school. After graduating from Kyoto Seika University, he engaged in various activities in Tokyo, collaborating with various clothing brands and other companies, gradually becoming known internationally.



EDUCATION

ไบฌ้ƒฝ็ฒพ่ฏๅคงๅญฆใ€2014ๅนดๅ’ๆฅญ
Kyoto Seika University, Class of 2014


2023
Art Fair

Solo Exhibition
"EASTEAST_TOKYO" @ Science Museum (Tokyo)

"HAND AND HEART" @ VOU (Kyoto)
"1UP" @ HAITSU (Tokyo)
"WALL FOR ALL" @ AA (Tokyo)



2022

Art Fair


Group Exhibition


Solo Exhibition
"ARTIST FAR KYOTO 2022" @ Kyoto Newspaper Company (Kyoto)

โ€œ๏ผ˜โ€ VOILLD  8th Anniversary Exhibition" @ VOILLD (Tokyo)
"Light" @ VOILLD (Tokyo)

"Cope of night" @ VOILLD (Tokyo)
"MOMENT" @ MOOSEY ART (England/NORWICH)




2021

Art Fair

Solo Exhibition
"DELTA2021" @ VOILLD (Osaka)

"Fresh!" @ WAY (Harbor City, Hong Kong)
"FOLK" @ LAID BAG @ (Tokyo)



2020

Group Exhibition


Solo Exhibition
"PPC Exhibition" @ PARCO (Tokyo, Shibuya)
"RISO poster exhibition" @ VOYAGE KIDS (Osaka)

"PRESCHOOL" @ LAID BUG (Tokyo)
"D O A" @ BAF Studio (Tokyo)




2019

Group Exhibition



Solo Exhibition
"Share the Unprivate Collection" @ Courtyard (Tokyo)
"art start up 100" @ Daikanyama Hillside Terrace (Tokyo)
"WELCOME TO VOU BUILDING" @ VOU (Kyoto)

"COMMA" @ VOILLD (Tokyo)




2018

Group Exhibition


Solo Exhibition
"ATELIAIR" @ NIKE (Tokyo)
"pop & street 2018" @ Seibu Shibuya Store (Tokyo)

"VOUร—NISHIร—loom" @ lloom (Kyoto)
"NICE TO MEET YOU" @ NEPENTHES New York (New York)
"่™นใฎๆดž็ชŸ" @ VOILLD (Tokyo)
"CLOTHING" @ Fujii Daimaru 7F (Kyoto)


2017

Group Exhibition





Solo Exhibition


Exhibition
"ใƒŸใƒฌใƒ‹ใ‚ขใƒ ์ฝœ๋ ‰์…˜ ์„œ๋ถ€" @ The Prince Park Tower Tokyo (Tokyo)
"New gig 2017" @ argument Gallery (Tokyo)
"์„ธ์ด์นด์ผ๋Ÿฌ์ŠคํŠธ OB์ „ 2017" @ Kyoto Seika University gallery Fleur (Kyoto)
"pop & street 2017" @ Seibu Shibuya Store (Tokyo)

"Iโ€™m fine" @ argument Gallery (Tokyo)
"็‰ฉๅฟƒ" @ VOILLD (Tokyo)

"USED POP-UP SHOP in CIAOPANIC KYOTO"









โ—ป๏ธŽ Artist: ๋‹ˆ์‹œ ์œ ๋‹ค์ด Nishi Yudai @yudainishi
โ—ป๏ธŽ Photography : ๋ฐ•์„ฑ์žฌ Sungjae Park
โ—ป๏ธŽ Text: ์ •๋‚˜๋ผ Nara Jung_pokettales curator / ๋‹ˆ์‹œ ์œ ๋‹ค์ด Nishi Yudai
โ—ป๏ธŽ Q&A: ์ •๋‚˜๋ผ Nara Jung_pokettales curator / ๋‹ˆ์‹œ ์œ ๋‹ค์ด Nishi Yudai
โ—ป๏ธŽ Design: STUDIO PKTD
 
ยฉ 2024. NISHI YUDAI. All rights reserved.
Mark

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